Warning: count(): Parameter must be an array or an object that implements Countable in /home/musiclegalcontra/public_html/wp-content/plugins/wp-e-commerce/wpsc-includes/cart.class.php on line 434

Warning: count(): Parameter must be an array or an object that implements Countable in /home/musiclegalcontra/public_html/wp-content/plugins/wp-e-commerce/wpsc-includes/cart.class.php on line 444
Tchaikovsky "Love Theme from Romeo and Juliet" Arr. by Kyle
Shopping Cart
Marketing
Financing

Tchaikovsky “Love Theme from Romeo and Juliet” Arr. by Kyle

Me playing around with the love theme for fun i know the last note sucks and the tv is really loud in the other room but i didnt feel like fixing all that haha feel free to be critical im just checking the quality of my camera’s mic with random violin techniques violinprogress.blogspot.com
Video Rating: 4 / 5

Clarence Williams (October 8, 1898 — November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Williams was born in Plaquemine, Louisiana, ran away from home at age 12 to join Billy Kersand’s Traveling Minstrel Show, then moved to New Orleans. At first Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s he was a well regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good business man and worked arranging and managing entertainment at the local African-American vaudeville theater as well as various saloons and dance halls around Rampart Street, and clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron 1915, which by the 1920s was the leading African-American owned music publisher in the country. He toured briefly with WC Handy, set up a publishing office in Chicago, then settled in New York in the early 1920s. In 1921, he married blues singer and stage actress Eva Taylor with whom he would frequently perform. He supervised African-American recordings (Race Series) for New York offices of Okeh phonograph company in the 1920s; He recruited many of the artists who performed on that label. He also recorded extensively, leading studio bands frequently for OKeh, Columbia and occasionally other record labels. He was the recording
Video Rating: 4 / 5