Swarabhishekam – Full Length Telugu Movie – K. Viswanath – Srikanth – Laya – 01

The duo of Srirangam Brothers consists of Srinivasachari (K Viswanath) and Ranga (Srikanth). Srinivasachari is happily married and has no children. Ranga is a widower with two kids. They follow the old tradition of joint family. Srirangam Brothers are musicians by profession and they become the biggest music directors in Telugu film industry with their traditional and classical music. Surekha (Laya) – an anchor by profession – likes Ranga. Both of them fall in love and get married. After marriage, Surekha starts to feel that her husband is contributing a lot for the success of Srirangam brothers, while Srinivasachari is walking away with all the credit, honor and accolades. She jealously comments about it when Srinivasachari is awarded with Padmasri. Later on both the families get separated and Surekha slowly realizes that the brothers could shine only when they are united, but not when they are divided.

TAB: rapidshare.com Originally, producer Dino De Laurentiis had planned a soundtrack of pop music for the movie, but was eventually persuaded by Milius to use a full orchestral score. For this purpose, Milius hired the Greek-American composer Basil Poledouris, a former classmate of his from the film department at the University of Southern California, and assigned him to make “a continuous musical drama.”[2] The result was a choral and orchestral soundtrack that fills nearly every moment of the film, with pronounced use of leitmotifs to portray mood and character. The violent early portions of the movie are filled with intense pieces including “Anvil of Crom”, played by 24 french horns, strings and timpani, and “Riders of Doom”, inspired by Prokofiev’s “The Battle on Ice” from the score of the “Alexander Nevsky” movie by Sergei Eisenstein and the derived cantata. Thulsa Doom’s theme, which recurs throughout the film, is based on the Gregorian chant “Dies Irae”. A number of quieter pieces fill the middle of the movie, including “Civilization”, “The Leaving”, “The Search”, and the sensuous “The Orgy” (co-written with his then 9-year old daughter Zoë Poledouris resembles Gustav Holst’s The Planets Op.32 Jupiter) before the music again intensifies for a series of battle sequences at the end of the film. Other string sections resemble Ralph Vaughan William’s “Variations on a Theme by Thomas Tallis”, namely “Atlantean Sword”. Several of the pieces, including the “Anvil of Crom …
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