Shopping Cart
Your shopping cart is empty
Visit the shop
Concert/Gigs Sponsorship
Professional Advisors
Marketing
Management
-
Management
- Agency Management Agreement (2)
- Agreement to Dissolve General Partnership Agreement (1)
- Confidentiality Agreement (3)
- Exclusive Agent Agreement (6)
- Musicians General Partnership Agreement (1)
- Parental/Guardian Consent Form (1)
- Personal Management Contract (4)
- Sale/Purchase of Instrument/Sound/Stage Gear (1)
- Studio/Practice Hall Lease (1)
Financing
Recording
-
Recording Contracts
- Artist-Producer Agreement – Exclusive Commercial Recording Contract (2)
- Musician Release (6)
- Record Master Receipt (1)
- Royalty Payment Schedule (1)
- Singer/Vocalist Agreement - Recording (2)
- Singer/Vocalist Agreement – Recording (2)
- Singer/Vocalist Release (6)
- Singer/Vocalist Release – Minor Performer (6)
Concerts and Gigs
-
Concert/Gig Contract
- Concert/Gig Technical Arrangements Rider – Entertainer Performance Contract (1)
- Concert/Gig Technical Arrangements Rider – Entertainer Performance Contract (1)
- Concert/Gigs Sponsorship (6)
- Mechanical License (2)
- Musical Technical Advisor Agreement (2)
- Pyrotechnics Performer (2)
- Security at Concert/Gig (1)
- Sound and Lighting Agreement (3)
Publishing Deals and Performance Rights Organizations
Published November 30, 2010
In this www.artistshousemusic.org video, Wallace Collins, an entertainment attorney based in New York, explains how music publishing deals typically work, the role that performance rights societies (such as BMI, ASCAP and SESAC) play in managing publishing arrangements — and the murky question of just how much money they get for their assistance.
I’ve recorded the bar music on the Deadly Cargo level. Maybe I should have turned off the sound effects, but anyway, enjoy.
Posted in Music Contract Information | Tagged Deals, Organizations, Performance, Publishing, rights