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Natasha Senjanovic Impeccably designed and acted, Andrea Molaioli’s sophomore feature is a character study lacks the action and urgency necessary to bring a story of this magnitude successfully to the big screen. read more
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When Rap Rock Didn’t Suck: Lil Jon’s Crunk Rebellion
For the first half of the 2000s, crunk music was rap music. The production of Lil Jon — the fight songs of Memphis’ Three 6 Mafia by way of shiny, Atlanta pop-rap — was a hybrid style technically “from Atlanta,” but with roots extending across the South (some Miami Bass and a distinct, New Orleans-based Cash-Money/No Limit influence too), but it was never beholden to area code or region. Crunk …
Read more on Spin